Lock the shoot date with a signed quote and a deposit, keep the second shooter on the same calendar, and protect the editing weeks that pay for it all.
Online booking
Share your link and customers pick a service and slot at a price worked out for them, straight into your diary.
Learn moreSmart scheduling
Every booking lands on a routed timeline, so you spend less time driving and more time on the tools.
Learn moreSee it in action
Priced and booked
Set-price work like an engagement shoot sits on your booking page and takes the next date you are genuinely free, so a couple locks it in without an email thread. The full wedding film comes through as a tiered quote request instead.
Scheduled and dispatched
Every booked shoot lands on your routed day and only offers dates your second shooter can make too. On Free you drag the shoot into the gap yourself; on Pro the day rebuilds itself and hands it to whichever shooter is closest and free.
On the day
The day laid out in driving order, so you clear the Elwood, Brighton and St Kilda shoots in the sequence that wastes the least time between them. Mark each on the way, on site and done, and the reminder sends itself.
Get paid
Put the highlights film and the feature-length edit side by side as tiers, let the couple sign the one that fits, and the moment they do it becomes a booked date at that scope. Take the deposit through Stripe up front and a payment request for the balance when the films are handed over.
Less admin, more bookings
You can only stand in one ceremony at a time, so a tentatively held Saturday is stock you cannot sell. Expiring quotes give an undecided couple a real deadline, and the deposit that lands when they sign takes the date off your page for good. The couple that dithers past the expiry has made a decision too, and your calendar treats it as one.
The gap between a three minute highlights film and a full feature edit is weeks of your life, and the quote should say so. Put each package on one quote as a tier with its own price, let the couple sign the one that fits, and the booking creates itself at that scope. Nobody discovers the difference between packages in an email thread after the wedding.
When you bring a second shooter, invite them as a team member with their own availability, and the booking page only offers dates your full crew can make. The team timeline shows both of you across the season, and the map view answers the question every double-header weekend raises, which is whether the two venues are an hour apart or three.
A month of Saturdays shot back to back becomes a quarter of late nights unless the diary defends you. Use date overrides to close out the weeks you owe to the edit, and those dates simply never appear to couples browsing your page. When the films are done, you hand them over on your own timeline, and the completed status and receipt email close out the booking.
Set up in minutes. 200 bookings a month free, no card needed.
One app for the whole job
Yes. Your branded booking page shows only the dates you and any second shooter are genuinely free. Couples with unusual timelines can send a request with their preferred dates instead.
Send a tiered quote with an expiry date. They can compare packages, sign online while the quote is live, and the expiry stops one slow decision holding your best Saturday all season.
Yes. A percentage or fixed deposit is collected through Stripe when the couple books or signs the quote, and you can send payment requests by email for the balance. Card payments sit on the Pro plan at a flat 3%.
No. Bookables runs the booking side, dates, quotes, deposits, statuses and client records. Your footage, your edit and how you hand over the finished film stay in the tools you already trust.
The Free plan is free, with up to 200 bookings a month and no per-booking fees, which covers most shooters until the calendar fills. Pro adds card payments at a flat 3%.